The long-standing mahogany furniture culture contains profound Chinese and American virtues.

[ China Wardrobe Network ] With the reform and opening up, the important part of Chinese culture that was abandoned, suppressed, and forgotten--furniture culture, returned to the Chinese cultural altar under the inspiration of Wang Shizhen’s predecessors. However, under the impact of the frivolous social phenomenon, when the cultural connotation has not yet been understood, the number of production enterprises has increased. Therefore, materialism has occupied a large number of mountains and rivers; more seriously, it ignores the Confucianism carried by furniture. Buddhism and Taoism culture neglected the implicit and restrained Chinese and American virtues in furniture.

First, the influence of ancient Chinese philosophy on the design concept of mahogany furniture.

First of all, the philosophy of "Heaven and Man" has a profound influence on the design concept of mahogany furniture. The idea of ​​"Heaven and Man" is the core of ancient Chinese philosophy. It is reflected in the design of mahogany furniture and its choice of the original wood quality and its application to wood texture. With its solid texture, elegant color and beautiful natural beauty, mahogany furniture is characterized by the stability of the air, the simplicity and smoothness of the situation, and the vivid beauty of the circle chair, the slab, the horseshoe and the foot to fully express the harmony between creation and nature. .

Secondly, the traditional mahogany furniture design style is quite satisfactory, not only the overall shape is symmetrical, but also the patterns are mostly symmetrically distributed, and the parts are slightly engraved to bring out the simple and generous design of the furniture, which does not affect the overall effect. The color of mahogany furniture is heavy but not dull, gorgeous and not glamorous, which fully reflects the traditional Chinese "moderate" philosophy. The strict scale of mahogany furniture, the design concept of mahogany furniture in the garden and square in the square, reflects the philosophy of ancient Chinese heaven and earth.

Second, the influence of the three teachings of ancient Chinese "Confucianism, Buddhism and Taoism" on the design concept of mahogany furniture.

Confucianism, Buddhism and Taoism are the three most influential religions in China. They have exerted tremendous influence on Chinese culture, thus forming the Chinese cultural characteristics of "ruling the world with Confucianism, treating the mind with the Buddha, and governing the body with the Tao." The contrast between the curve and the straight line, the soft and the medium, the virtual and the real, the smart and calm mahogany furniture design concept fully shows the religious creed of "conforming to nature, advocating frugality" in religious culture, "not to be happy, not to be sad" The principle of doing things and the value orientation of "holding the truth and being silent, and doing nothing."

Third, the influence of ancient Chinese aesthetic thoughts and other cultures and arts on the design concept of mahogany furniture.

As early as the primitive society, human beings showed their aesthetic taste. In the tempering of life, people's aesthetic tastes have also been continuously improved. For the sake of aesthetics, mahogany furniture, while satisfying practical functions, also uses various techniques in the form of styling and decoration, combined with the characteristics of Chinese painting and calligraphy to emphasize the artistic conception, making the furniture both practical and pleasing. In addition, carving a large number of auspicious patterns on furniture is also the influence of people's aesthetic thinking on the design concept of mahogany furniture. These exquisite auspicious patterns not only play a very good decorative embellishment, but also add a little bit of blessing and auspicious meaning to the furniture, satisfying people's spiritual needs.